Aesop Rock’s tall tale “Long-Legged Larry” gets the stop-motion treatment
New video by Rob Shaw animates the rapper’s latest collaboration with artist Jeremy Fish.
Aesop Rock’s new one-off single about the heroics of a legendary frog marks the first time I’ve gone to my 11-year old and said “Hey, check this out”* and this video will likely mark the first time I describe anything on this blog as cute. Here’s a cute video about a frog with a beard that will probably make Aesop Rock extremely popular with 8-year olds.
The track is pretty much classic new Aes: great drums, guitar loops and double-time rapping about regular people stuff (y’know like frogs rescuing princesses).
*When I played new most recent Aesop Rock LP in the car, she said “Dad, it’s too bad he swears so much, he’s really good”.
The complete output of the early 2000’s post-hardcore outfit is finally seeing an official re-release by HALIFAX A.D.’s 795 Media and Landland Colportage.
New heaviness from Whores, Portrayal of Guilt, Human Impact & Conjurer, beats from Commodo, Palpa & Dalek One, and a reissue of the best band you’ve never heard, Laddio Bolocko (ex-Dazzling Killmen & De Facto). Plus like a ton of other jams.
Dub mix of the Radiohead side-project The Smile amplifies and extends all the best parts of their 2nd single
Team up of veteran noise master and No Age drummer showcases precisely edited material that jumps back and forth between hits from Spunt’s drumkit and a range of abstract sounds.
New punk/rock from Atom Driver (ex-Deadguy), Strangelight (members of Kowloon Walled City, The New Trust + Western Addiction), revisiting Mouthpiece, and classic instrumentals from O.C.’s 1994 debut Word… Life.
New hardcore from Colonial Wound and No Escape, unreleased Distance and Skream, and recent discoveries Why Bother?, Tunic, and False Pockets. Plus a bunch of Unbroken and an ambient section.
HALIFAX A.D. builds a Jim O’Rourke-inspired track from Converge samples
The reformed post-hardcore group continues with the hazy, informal sound they brought to life on “Interiors”
The filmmaker behind the Emerica videos used Super-8 and 16mm film shot from 1995–2010 for the video.
Abilene (members of Regulator Watts, June of 44, Just A Fire and Bloodiest) quietly dissolved in 2004 but not before opening yet another chapter in their sound with these final songs written with Doug McCombs on bass.