Watch the video for Quicksand’s new single “Inversion”
The reformed post-hardcore group continues with the hazy, informal sound of they brought to life on “Interiors”
I remember seeing a video of one of Quicksand’s reunion shows and being bummed on it. They were playing songs off “Slip” (1993) but Walter’s musical interests had clearly moved to a new place (a reasonable development) and hearing his more melodious delivery on those “early 20’s broken bottle songs” just felt totally wrong and seemed to remove all of the darkness from that material (who knows, maybe that’s a good thing). So I was apprehensive about hearing a new album from them — especially knowing that it was written without Tom Capone — and was surprised by how much I loved it. 2017’s Interiors was the result of a new band — fuzzier, more melodic, maybe a bit more abstract or averse to traditional song structures. I thought it was funny that my favorite Quicksand LP sounded nothing like Quicksand (kinda like Hum and that new record that sounded nothing like Hum and everything like Torche). The new single “Inversion” picks up right where Interiors left off — blending noise and melody in a quick two-and-a-half-minutes.
It comes accompanied by some great weirdo visuals by Tetsunori Tawaraya.
The complete output of the early 2000’s post-hardcore outfit is finally seeing an official re-release by HALIFAX A.D.’s 795 Media and Landland Colportage.
New heaviness from Whores, Portrayal of Guilt, Human Impact & Conjurer, beats from Commodo, Palpa & Dalek One, and a reissue of the best band you’ve never heard, Laddio Bolocko (ex-Dazzling Killmen & De Facto). Plus like a ton of other jams.
Dub mix of the Radiohead side-project The Smile amplifies and extends all the best parts of their 2nd single
Team up of veteran noise master and No Age drummer showcases precisely edited material that jumps back and forth between hits from Spunt’s drumkit and a range of abstract sounds.
New punk/rock from Atom Driver (ex-Deadguy), Strangelight (members of Kowloon Walled City, The New Trust + Western Addiction), revisiting Mouthpiece, and classic instrumentals from O.C.’s 1994 debut Word… Life.
New hardcore from Colonial Wound and No Escape, unreleased Distance and Skream, and recent discoveries Why Bother?, Tunic, and False Pockets. Plus a bunch of Unbroken and an ambient section.
HALIFAX A.D. builds a Jim O’Rourke-inspired track from Converge samples
The reformed post-hardcore group continues with the hazy, informal sound they brought to life on “Interiors”
The filmmaker behind the Emerica videos used Super-8 and 16mm film shot from 1995–2010 for the video.
Abilene (members of Regulator Watts, June of 44, Just A Fire and Bloodiest) quietly dissolved in 2004 but not before opening yet another chapter in their sound with these final songs written with Doug McCombs on bass.