Nail Worship podcast #2: Lincoln’s brutal emo
Joshua and Jason dissect the debut 7” from Lincoln — a band whose later releases would define emo for a decade but whose start was both heavy and melodic.
Heavy but not metal, melodic but not emo, this was a singular release by a band that would do a hard 180 within the next year and build their legend based on their posthumous releases on Art Monk Construction. But “Union” is an all-time great record and utterly confounding. We try to unpack what’s happening on this record, as well as talk about 90’s graphic design, Syracuse hardcore fliers and the strange connection that between this and Earth Crisis’ “Firestorm” 7" that came out at exactly the same moment as “Union”.
Watch it below or at YouTube, Spotify or Rumble. You can also find us on Instagram if you like the short-form nonsense and engagement-bait.
Every band we ever loved is back together (except Hoover). Joshua and Jason aren’t entirely sure how they feel about this.
New podcast dedicated to analyzing influential or should-be-influential records features a discussion of the seminal 90’s split LP by KARP and Rye Coalition on Troubleman Unlimited and the weirdness of the 90’s hardcore scene.
Video captures the band playing a raw and intense set from their late-90’s catalog.
1993 live set showcases some of the qualities that made Hoover an enigma in the punk scene as well as early versions of songs from their LP and a lost track.
Noisy guitars, a lot of yelling and a bit of earnestness on my Post-Hardcore Manifesto playlist on Spotify.Runs the gamut from 90s classics like Drive Like Jehu, Jawbox, and Hoover and contemporary jams from Luggage, Human Impact and Chavez.
From old DeSoto singles to new releases from Today Is The Day and Cage and recent discoveries like Candy Machine, here’s what had my attention last month
The influential drummer talks about his childhood, career and struggles with addiction
“Long-Stretch-Motorcycle-Hymn-Highway” finds Meadows (working as Everlasting The Way) assembling an album with elements of folk, drone, ambient and breakbeats that doesn’t sit in any one genre
Part of his 90’s run on Relapse sub-label Release where the Japanese noise king was making noise records for metalheads.
Episode 2 dissects the debut 7” from Lincoln — a band whose later releases would define emo for a decade but whose start was both heavy and melodic.